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Bring recordings from JVC, Panasonic and Canon standard-definition camcorders into MP4 so they play on phones, TVs and in modern editors
You can upload one MOD video at a time, and files larger than 1 GB are fully supported.
MOD was used by SD camcorders from roughly 2003 to 2010 that recorded to hard disk or SD card. The format is MPEG-2 video with MPEG or AC-3 audio in a slightly non-standard program stream. The video is decoded, encoded to H.264 and written to MP4; the audio is converted to AAC.
They sit in a folder such as SD_VIDEO/PRG001. Upload one or many; the matching .MOI files are not needed.
Each MOD is decoded and encoded to H.264 MP4 at the original 720 by 480 or 720 by 576 resolution.
A single file is downloaded directly, multiple files arrive in one ZIP named after the job.
Most MOD footage is interlaced. The MP4 keeps the frames as recorded, so deinterlacing in an editor stays possible.
MPEG Layer II or Dolby AC-3 from the camcorder becomes AAC at 192 kbps, which every player understands.
No need for the discontinued camcorder software or codec packs. Works on Windows, macOS, Linux, iOS and Android.
The conversion works on an uploaded copy; your MOD files on the memory card remain as they are.
Backed by 10+ years of engineering expertise in large-scale data and scientific computing, it’s built for real-world video workflows that require uncompromised output quality, dependable processing of large files, and reliable, high-level performance.
Uploaded files are automatically and permanently deleted within two hours.
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Referenced in published research and used for interview transcription and qualitative data analysis.
MOD is not a codec but a file naming convention used by JVC, Panasonic and Canon for standard-definition camcorders that recorded to hard disk or flash memory instead of tape. Inside is an MPEG-2 program stream, essentially the same as a DVD without the menu structure, with audio as MPEG-1 Layer II (JVC) or Dolby AC-3 (Panasonic, Canon). A second file with the same name and the extension .MOI stores the recording date, duration and the aspect ratio. Because the aspect ratio lives outside the video stream, this format is notorious for widescreen clips that look squeezed in ordinary players.
The bundled camcorder software that read the MOI data has not been updated for modern operating systems. Phones and tablets do not decode MPEG-2 at all, and web services such as YouTube or Google Photos treat the file as unknown. Many families now have hundreds of MOD clips from 2005 to 2010 that only play on the computer they were originally copied to. Converting them to H.264 MP4 makes them watchable and shareable again and reduces the storage size substantially.
The MPEG-2 video is decoded with FFmpeg, keeping the native 720 by 480 or 720 by 576 frame and the recorded frame rate (29.97 or 25 fps). It is then encoded with x264 at constant quality 23, or with NVENC at an equivalent quality on our GPU servers. Audio is converted to AAC at 192 kbps. Interlacing is preserved rather than guessed, because a good deinterlacer (for example yadif or QTGMC) in an editor produces better results than a blind automatic pass. Metadata from the stream is copied.
Camcorders recorded 16:9 widescreen into the same 720 by 480 (or 720 by 576) frame as 4:3 and stored the intended aspect ratio in the companion .MOI file rather than in the video. Players that ignore that information show widescreen clips squeezed. The MP4 keeps the aspect ratio flag from the MPEG-2 stream, which is correct for most recordings; if the result is still wrong, set the display aspect ratio to 16:9 in a video editor without re-scaling the pixels.
Often yes, since the content is MPEG-2, and many players will open it. Renaming does not help with phones, tablets, browsers or modern editors that expect H.264, and it leaves the aspect ratio problem in place. Converting to MP4 solves both.
JVC Everio hard disk models (GZ-MG series), Panasonic SDR models recording to SD card, and Canon FS and DC series. Later HD models from the same brands switched to TOD or AVCHD (.MTS) files, which need a different converter.
The source is standard definition MPEG-2 at about 8 Mbit/s. Encoding it to H.264 at CRF 23 keeps essentially all visible detail because H.264 is far more efficient than MPEG-2. The MP4 is typically a third to half the size of the MOD at the same quality. For archiving you may still want to keep the original MOD files on a backup drive.
Upload the .MOD files; the .MOI metadata and the index files are not needed. Multiple files are converted one after another and returned together. Very old camcorders split long recordings into several MOD files at 2 GB or 4 GB boundaries; convert them all and join the MP4s in an editor if needed.
Uploads and converted MP4s are deleted automatically within two hours. Transfers are encrypted and the content is never viewed.